Kalai Kaviri Off-campus Degree Programme M.F.A. Dissertation (Dance)

The final year M.F.A. Students are Guided in their Research – Oriented Dissertation which is Major Paper with Viva, Valued for the University Examination.
The Dissertation Submitted by the Final Year M.F.A Students are listed below



2004 – 2006

01
Propagation of Dance and Music through
Mass Media
T.Amal Rose
02
Fk;gNfhzk; rhuq;fghzp Nfhtpypy; cs;s Mlw;rpw;gq;fs; - Xh; Ma;T M.Anita
03
A peak into a few splendid performing Arts at Kerala T.Chitra
04
jkpoh; $j;Jk; ,irAk; Ms.Ganga
05
Dance in Christianity Fr.Irudayaraj
06
njd; ,e;jpaf; fiyfspy; ehl;Lg;Gw eldk; Ms.Josephine Idaya
07

Study of Chathuravitha Abinaya in South Indiaan Art forms 

Ms.Mamatha
08
Njth;fs; kw;Wk; mtjhu GU\h;fspd; Mly;fs Ms.K.Vijayalakshmi
09 ,yq;ifapd; fpof;F khfhzj;jpd; kl;lf;fsg;gpy; Mlg;gLk; tlNkhb njd;Nkhb $lj;jpd;> cil xg;gid> Nkilaikg;G gw;wpa Xh; Ma;T Ms.Geetha Viswalingam
10
,yq;ifapy; jkpopy; ntspte;j gujehl;ba rk;ge;jkhd E}y;fs; gw;wpa Xh; Ma;T

Ms.Mathumaiyal

11 ,yq;ifapy; cs;s rpq;fs jkpo; fpuhkpa eldq;fs; gw;wpa Xh; xg;gPL Ms.Rajendra Kumar
12
,yq;if fiy tbtq;fspy; ehl;ba rh];jpu kuG (eld tbtq;fisAk;> eld rpw;gq;fisAk; mbg;gilahff; nfhz;l Xh; Ma;T)

Ms.Chrishana Sharmila

13 ,yq;ifapy; cs;s jkpo; gpuNjrq;fspy; gujehl;ba tsh;r;rpapy; cah;> jdpahh; epWtdq;fspd; gq;F gw;wpa Ma;T Ms.Nakula Devi



2005 – 2007

01 ehl;Lg;Gw fiytsh;g;gpy; rf;jp fiy gz;ghl;L ikak Ms. Angel Kavitha
02
njd; fh;ehlf fpuhkpa eldq;fs; Ms. K. Anitha Roseline
03 eldj;jpy; ghgehrk; rptd; mth;fspd; gq;F gw;wpa xU Ma;T Ms. S. Bella Chinna Rani
04
,e;jpa etPd Mly (Indian Contemporary Dance) Ms. M. Shanmuga Sundari
05 rpwg;G Foe;ijfspy; kpspUk; eldk; Xh Ma;T Ms. J. Christy
06
nfhdhh;f; -#hpadhh; Nfhtpy; Xh; Ma;T Ms. K.R.  Hemalatha
07
Stage Lighting Equipments Ms. Radhika Vairavelan
08
Impact of Tanjore Quartet to the present day Bharathanatyam Ms. A.R. Shalini
09 xapyhl;lk;> Njtuhl;lk; gw;wpa Xh; xg;gha; Ms. Simja Jose
10
oj;jpd; ,ir eld tuyhw;wpy; tPukzp ma;ahtpd; gq;fspg;G

Ms. Thriveni Narayanasamy

11 Dance Sculptures of Belur Temple Ms.  C.R. Shalini
12
Kandyan Dance "A Glimpse"

Ms. Nilanka Liyanage



2006 – 2008

01
Temples and Legends of Kerala Ms. Ameena Shanavas
02
eldj;jpy; gf;jp Ms. S.  Ananthi
03 Cavittunatakam – The Christian Folk Theatre Tradition of Kerala Ms. Anita Jose
04
aho;ghzj;jpy; gujf;fiy tsh;r;rpf;F fiyr; nry;td; Vuk;G Rg;igah mth;fs; Mw;wpa fiyg;gzpfs; Ms. Anushanthy Sukirtharaj
05 Contribution of Kalyan Kutty Amma to Mohiniyattam Ms. R. Aparna
06
Influence of Music on Dance

Ms. Aranya Narain

07
A Study of the Development of the association of Bharathanatyam Artistes of India (ABHAI) Ms. Ashwini Viswanathan
08
= nghd;dk;gy thNd];tuh; Myaj;jpy; fiy Xh; Nehf;F Ms. Baby Shahila
09 Nayaki Bhavas in ULA Literature Ms. Bhargavi Krishna
10
kJiu fyk;gfk; fhl;Lk; ehafp

Ms.  S. Bhuvaneswari

11 Christianity in Bharathanatyam Ms. P. Brasil
12
Sattriya Dance – A Glimpse                               Ms. Debarathidas
13 jpUthrfj;jpy; eldf;$Wfs; Ms. G. Dhanasundari
14
Common injuries to dancers and its prevention Ms. B. Durgalakshmi
15 Indian Traditional Theatres – A Comparative Study Ms. Geetha Ravishankar
16
Navarasa in Rama Nataka Keerthanam Ms. Janaki Ganesh
17 miuah; Nritapy; ehl;baKk;> mgpeaKk Mr. C.V. Kumaresanraj
18
The Shades of Ashtanayaki in Nalaayira Divya Prabandam Ms. S.R. Lakshmi Jeya Priya
19 Comparative Study of Madura in Lakshana Granta Ms. L. Madhumathy
20
Amarakosham from Dancer's Perspective Ms. K.S. Nagashree
21 Fkhp khtl;l flNyhu kf;fspd; fyhr;rhuKk; fiyfSk; Ms. P. Nishsa
22
Adaptability of Purandaradasa's Composition to Bharathanatyam Ms. Prathibha Ramasamy
23 Nayakas and their Classification in Sanskrit Literature Ms. V.R. Priyabandhavi
24
,e;jpa rh];jphpa eldq;fs; - gujk; kw;Wk; fjf; ehl;baq;fspd; xg;gha;T

Ms. T. Punitha

25 Folk Dances of Maharahtra and Rajasthan Ms. P. Shanthakumari
26
Devadasi System Ms. M.K. Shyamala
27 Contribution of Prandara Dasa's Literature to Dance Ms. Sreeranjini Umesh
28
jkpo; thNfaf;fhuh;fspd; gjq;fspy; gjk; Xh; Ma;T

Ms. V. Sri Priya

29 A Comparative Study of Kandyan Dance with Kathakali and Bharathanatyam Ms. Subashini Pathmanathan
30
Impressive Dresses for Tresses to dance in Trance Ms. K.R. Uma Maheswari
31 Great Teachers of Classical Dance Drama Krishnanattam Ms. K. Vanitha
32
Krishnanattam – The Art of Devotion Mr. T.P. Vasudevan
33 Dance Sculptures of Kolar Temples Ms. R. Vijayalakshmi
34
A Comparative Study of Aangikabhinaya aspect in Mohiniyattam and Bharathanatyam Ms. Smitha N. Menon
35 Dhananjayans – The Living Legends Ms. Rincy Venu
36
eldg; Nguhrhd; Vuk;G Rg;igah ehl;baf; fiyf;fhd gq;fspg;G Ms. S. Malarvizhy
37 Karaikkalammaiyar Bakthi Pasurangalil Siva Natanam patriya kurippugal Ms. Y. Prasanya
38
Njthuq;fspy; fhzg;gLk; ehl;ba fiy mk;rq;fs; gw;wpa Xh; Ma;T Mr. M. Sathishkumar
39 jphp$l uhag;g ftpuhahpd; Fw;whyf; FwtQ;rp ehlf vOj;JUit eldkhf;fy; Ms. Christena Vasanthie Nehru
40
epfo;j;Jf; fiyfspy; cj;jp kw;Wk; gad;ghl;L Kiw Ms. S. Sumathi
41 jpUkiw fyhkd;wj;jpd; fiyg;gzpfs; Ms. D. Ananatha Jothy


2007 – 2009

01 rk];fpUj ,yf;fpaj;jpy; Mly; Ms. N.K. Amudha
02
Koodiyattam and Koothu

Ms. M.  Ambili Devi

03 Choreography, Traditional Group and Contemporary Presentation Ms. K. Hemalatha Ramachandran
04
Aharya Abhinayam in the Frescoes of Ajanta - a Review Ms. Iyer Nisha Shanker
05 A Treatise on Books on Bharathanatyam Ms. S. Jayanthi
06
ngha;f;fhy; Fjpiu fiyQh; jpU ehbuht Mr. G. Joseph Patrick
07 gjk; - Xh; Ma;T Ms. R. Johnnymol
08
A Biographical History of Dr. V.S. Sharma Ms. K. Jayasudha
09 Navarasas of Jesus Christ Rev. Fr. A. Jayaseelan
10
= Rthjp jpUehs; gjq;fspy; m\;ltpj ehafpfs; - Xh; Ma;T

Ms. K.M.C. Kamarajini

11 gujehl;baKk;> Nkhfpdpahl;lk;> fz;ba eldk; Mfpa rh];jphpa eldq;fSf;F ,izahd Xh; xg;gP L Ms. C. Kalaimagal
12
Postures, Gestures and Costumes of Devi Deities in Temples Ms. C.R. Lakshmi
13 Contribution of Mysore Wodeyars to Music Ms. M. Maadhavi
14
Bharathanatyam Exponents  Ms. K. Manjula
15 mfehD}W czh;j;Jk; fiy tho;f;if Ms. S. Menaga
16
Bhaona – Traditional Theatre of Assam Ms. Namrata Tiwari
17 Nayika Bhedas in Swathi Thirunal’s Padams Ms. N.S. Navami
18
Javali

Ms. G. Nalina

19 Gaudiya Nrtya – A Classical Dance of Bengal Ms. Poornima Manohar
20
Analytical Study of Sanskrit Drama Mr. M. Praveenkumar
21 Contribution to Kalyanikutty Amma in Mohiniyattam Ms. G.R. Ragna
22
The Role of Male Dancers in Bharathanatyam – An Analysis Ms. P. Ramya
23 Pada – Tala Vinyasa in Bharathanatyam and Kathakali Ms. T. Remya
24
aho;ghzj;jpy; ehl;baf;fiy tsh;r;rpf;F Mz;fspd; gq;fspg;G – Xh; Ma;T

Ms. Rajetha Raghavan

25 Chathurvidha Abhinaya Comparison of Bharatha- natyam and Kathak Ms. Sajina Venugopal
26
jkpoh; kugpy; ghitf; $j;J

Ms. V. Sacitha

27 aho;ghzj;jpy; gujehl;bak;  md;Wk; ,d;Wk Ms. P. Sathyapriya
28
Contribution of Nayaks in he field of dance Ms. C. Sarojini Devi
29 A Focus of innovative Choreographers and their Innovations Ms. S. Selvameena
30
gujKk;> NahfhrdKk

Ms. G. Saraswathy

31 Nangyar Koothu Ms. Sajitha Unnikrishnan
32
Kavuthuvams Ms. Subanjali Sadgurudas
33 The Hasya Dance forms of Kerala Ms. E.S. Sobhanakumari
34
Kerala Natanam Ms. Smitha S. Raj
35 Sufi Whirling Ms. Sneha Bharadwaj
36
aho;ghzj;J Myaq;fspy; fhzg;gLk; ehl;ba rpw;g> Xtpaq;fs; - Xh; Ma;T Ms. Shylaja Kumarasamy
37 ,e;J Myaj;jpy; Kj;jpiufs; Xh; Ma;T Ms. S. Thanusha
38
Musical Instruments and Dances                                      Ms. V. Vaijayanthimala
39 The Traditions of Coastal Yakshagana Bayalata Ms. Yamuna
40
rpw;gf;fiyapy; Mly; mirTfs; - Xh; Ma;T

Ms. K. Yalini

41 aho;ghzj;J epUj;jpa ehlfq;fs; - XU ghh;it Mr. L. Aniruthan
42
Arjuna Nritham Ms. P.S. Aswathy
43 aho;ghzj;J ehl;ba kugpy; rpd;d Nksj;jpd; tfpgq;F Ms. Agalya Rajabharathy
44
fz;ba eldKk; fjf;fspAk; xg;gha;T

Ms. Rohini

45 ehlf muq;fpaypy; ehl;bak Ms. Priyatharshini Vageesan
46
gujehl;baj;jpy; ,ir - kuGfSk; khw;wq;fSk

Suhanya Aravinthan

47 tpy;ypGj;J}uhh; ghujj;jpy; Muz;a gUtj;jpy;" ehl;ba rh];jpuk; $Wk; u]q;fspd; ntsp;g;ghL Selvambigai Veerasingam
48
Lavani (The Folk Dance of Maharashtra 2009) Mr. Sriniwas J Katwe
49 Padayani Ms. Anupama S. Pillai


2008 – 2010

01 The Folk Art and The Folk Dance of Karnataka               Ms. Akshatha Baikady
02
Yazhpanathu Gramiya Natanangal Maruvasippu             

Ms. K. Anusha

03 Traditional Cultural – Kerala Ms. Aparna S. Pillai
04
Contribution of Vedeyars as Patrons of Dance Ms. Buch Pauravi Makeshkumar
05 Chathurvidha Abhinayam Ms. G. Barbaral Jerosine Kalpana
06
1972 Aam Andikuppin Ilangaiyin Bharathakalai valarchi Ms. Bamini Vinayaga Moorthy
07 “Mudiyett” Ms. C.P. Dhanyamol
08
Dance Related Injuries – Prevention Early Detection A Ms. N.M. Draupathy
09 ThevaraNatya Isai Thiruvarur Pathikangalum, Natyamum  Ms. M. Hemalatha
10
Development of Bharathanatyam in Gujarat Ms. Iyer Vanitha Nagarajan
11 Azhwar Pasurangalil Natya Amaippirkana Saathiyak Koorugal Mr. R. Krishnamoorthy
12
Transition of the Derivative Forms to the Present Dance- Drama Ms. Keerthi Panicker
13 Bhaghavatham Mela Dance Drama Sumbrathayamurai Ms. K. Kiruthi
14
Folk Dances of Madhya Pradesh Ms. Lata Nair
15 Interpretation of Pancharathna Mudras (Vainava Agama Sastgran) in Bharathanatyam Ms. Lakshmi Venkatesh
16
Chari – An Esthetic Movement in Dance Ms. K.N. Mirnalini
17 Hastabhinya according to treatises – their relevance and adaptation in Bharathanatyam Ms. A. Padmini Rao
18
Relevance of adopting Abhinaya darpana in Bharathanatyam

Ms. C. Priyadarshini    

19 A Comparative Study on The Angika Abhinaya of Bharathanatyam and Odissi Ms. Radhika Radha- Krishnan
20
“Traditional Talas of Kerala”

-  Ms. L. Remya

21 Indru Perarignar Thiru. Kittappavin Parambariyamum Padaippugalum Ms. K. Sahaya Raani
22
Pirkala Pandiyar Kalathu Nattiyangal Ms. S. Saral
23 Folk Dances of Tulunadu related to Agriculture Ms. Saraswathi Bolar
24
Nanartha Hasthangal Ms. T. Sangeetha
25 Analysis of Srichakra with Body Postures in Bharathanatyam  Ms. Shobinya Karthikeyan
26
Bharathanatyam for Holistic Development for Childrean Ms. V.L. Shree Vidhya
27 Vazhakozhindha Natanangalum Chithranattiyamum Ms. A. Sumathi
28
Brahma Shri Veeramani Iyerin Kalaippani Ms. Suriyayalini Veerasingam ho
29 Significance of Sanchari Bhava in Bharathanatyam                   Ms. Swathi Kamakshi
30
Shrungara Rasa in Kannan Songs Ms. Shwetha Ravi Shankar
31 Kongu mandalathin Kalaippani Ms. R. Tharani
32
Sanga Ilakkkiyuangalil varum Nayakan, Nayaki, Thozhan, Thozhi Evarhalin Ilakkanamum, Meippadugalum Ms. Uma Gowri 
33 Natnathai Aatharitha Puravalargal Ms. R. Uma Maheswari
34
Thiruvasagathil Kanappadum Nayakan – Nayaki Bhaavam Oar Aayvu Ms. S. Uma Maheswari
35 A Comparative Study about Kathakali and Kerala Natanam - Mr. K. Vasudevan Pillai


2009 – 2011

01 mk;ghiw khtl;lj;jpy; fhzg;gLk; fpuhkpa eldq;fs; - xh; Ma;T               Ms. Anushini
02
rPh;fhop mUzhr;ry ftpuhahpd; ,uhk ehlf fPh;j;jidapy; - eturq;fs; - xh; Ma;T              

Ms. V. Bhavani

03 Contribution of Purandara Dasa’s Literature to Dance Ms. Sreeranjani Umesh
04
Nguhrphpah; rgh. nIauhrh mth;fspd; fiy E}y;fs; gw;wpa xh; Ma;T Ms. Brintha Pathmanathan
05 GJit fiy tsh;j;j jpUf;fhNk];tuu; Nfhapy; - xh; fz;Nzhl;lk Ms.B. Sathiakala
06
,yq;if gujehl;ba tsh;r;rpapy; Gjpa gpukhzq;fs; Ms. Anne Nirmala John
07 Nf.vd;. jz;lhAjghzp gps;isapd; gjq;fspy; u]h mEghtKk; kw;Wk; ehaf ehafpapd; gq;Fk; - xh; ghh;it. Ms. D.Arulmozie
08
GJit fiy gz;ghl;Lj;Jiwapd; fiyr;Nrit – xh; ghh;it Mr. D. Saravanan
09 The Assimilation of elements of the other Indian Classical Dance forms into the forms into the form of Bharathanatyam Mr. Kandasamy Shankar
10
A study of ottukkadu venkata subbaiyer’s compositions and its predilection for Bharathanayam Ms. Shobitha
11 Computation and Analysis of Rhythmic structures and patterns in Dance. Ms. P. Prabha
12
Music to Mudra Adapting Thyagaraja Keerthanas Ms. K.A. Sheela
13 Bharathanatyam – For Holistic Health and well Being Ms. C. Priyadarshini
14
Technique of Dance in the Sculptures of Hoysala Period Ms. Vandana Bharadwaj.
15 An Analytical study of Javali Ms. L. Muruga Shankari
16
“Jyagaraja’s Prahalada Bhakti Vijayam in Perspective of Dance”. Mr. Pavithra Krishna Bhat
17 External Devices of Representation and Model works in Bharathanatyam Ms. Usharaj
18
“Kanniiyar Kali” Ms. Malini S. Nair
19 Folk Dances of India – Its Traditions In Tribal, Ritual and Martial Forms Ms. L. Gayathri
20
,Zitak;gjpapd; fpuhkpaf;fiy tuyhw;Wg; gpd;dzp Ms. Nishantharagini
21 fpspnehr;rp khtl;l Mw;Wiff; fiyfs; Ms. Yasotha Sivalingam
22
,yq;if rpq;fs kf;fspd; rh];jphpa ehlfk; - Nfhyk; ehlfk; gw;wpa xh; Ma;T Ms. Renukadevi Poorajah
23 nfhq;F ehl;Lf; Nfhtpy;fspy; eldr; rpw;gq;fSk; Fykhzpf;if KiwAk Ms. S. Indumathi
24
Devi Bhagavatham at a glance & Sringara in Soundarya Lahari Ms. M. K. Lalitha
25 Sanskrit Drama and its Influence On Indian Dance Forms Ms. C. K. Amirthavalli
26
The Art of Nattuvangam Ms. P. R. Bhargavi
27 A Study of Antahpuragite Ms. Veena Nadig
28
,yq;ifapd; kiyafg; ghuk;ghpa $j;Jf;fs; Ms. Gopalasamy Kaladevi
29 jpUNfhzkiy khtl;lj;jpd; eldf;fiy tsh;r;rp Ms. A. Niruba
30
Comparitive study of angikabhinaya of nartananirnaya and abhinaya panam Ms. Sreelatha
31 Tribal Dances of wayanad Mr. P. K. Manojan
32
,yq;if rpq;fs kf;fspd; rh];jphpa ehlfk; Ms. Renugadevi Pooraja
33 ,yq;ifapd; kiyafg; ghuk;ghpa $j;Jfs; Ms. Gopalasamy Kaladevi
34
Rasa in the Compositions of Vacanakaras Mr. T. S. Sagar
35 jkpof ehl;LGwf; fiyfs; Yalini Palarasah


2010 – 2012

01 The Socio-Cultural background of the Terukuttu Artists-A study Ms.Krithiga R
02
A Brief Study on the Tandavas of siva and Vishnu and its interpretation in Bharathanatyam Repertoire

Ms.Preetha S  

03 A Study of History and Development of Classical Dance in South Canara (Related to Mangalore udupi Districts areas) Ms.Deepak kumar B
04
A Study on the Bharathanatyam Hasta Practices used as Mudras in Hindu Rituals

Ms.Manorama B N

05 Helping Children with Attention Deficit Hyperactivity Disorder Learn School Subject through Bharathanatyam based Dance movement Therapy Mr.Giridhar R    
06
The Language of Dance Exploring. The Elements of Communication in Bharathanatyam Ms.Janaki Nair
07 Comparative Study on Approaches to Bhakthi in Vaishnavism and Saivism Ms.Radhika N
08
The rote of a dancer in ancient classical Sanskrit treatises              Ms.Harini Maranganti
09 Comprehensive Study and Significance of Panchasabha Ms.Sadhana Balachander
10
Adaption of Bhagavathamela Tradition in Kalakshetra Dance Dramas Ms.Divya V
11 Padmasri Saroja Vaidyanathan and her Contribution in the field of Dance Ms.Aishwarya Nair
12
Dance in Muslim Religion Ms.Razia A
13 Dance of the Apsaras MS.Divya A  
14
Srilankan Orientel  Ballet

Ms.Sharmila Perera

15 Contemporary Explorations Through Indian Classical Dance Ms. Reshma Sheety
16
Talams and its use in the Kathakali and Bharathanatyam Mr.Jaya Krishnan KM
17 Bharathanatyam then. Now and in future Ms.Jayalakshmi  Radhakrishnan
18
Beauty of Hastas in Indian Classical Dance Forms

Ms.Maithreyi Yogesh Brave

19 Navavidya Bhakti in Bhagavata Purana Ms.Yasasree B
20
Tyagaraja and his Kritis with Bharathanatyam

Ms.Uma U G

21 Indian Dance through Ages Ms.Josephine Nithya B
22
Comparative Study of Yoga And Bharathanatyam Ms.Bindhu L
23 Critical Analysis of the Nayikas in the Gita Govinda Ms.Shweta Suryakant Prachande
24
Bhakti as a Rasa Ms.Indu S V
25 The origin and Evolution of Bharathanatyam in Mysore Ms.Supritha S
26
Moksha through Dance Ms.Devlina Parameshwaran
27 Dance of Siva in Tirumular Tirumantiram Mr.Sibisudarsan
28
The Legend Biography of Srichemmencheri Kunhiraman Nair and his view about Katakali Mr.Manoj Manikkoth
29 GJr;Nrhpapy; Njtjhrp Mapd; fiy kw;Wk r%fNrit Ms.Bharathi K
30
Njthuk; ,d;iwa eld khh;fj;jpy; g;uNahfk

Mr.Vadivelou K

31 gujKk; mwptpaYk Ms.Sangeetha B
32
guj ehl;baj;jpd; gad;ghLfs

Ms. Justin Joan of Arc J

33 jpUthrfj;jpy; rpUq;fhuk; (ctif) Mr.Lokeshraj K.R
34
ghujehl;baj;jpw;F jkpo; Kk;%h;j;jpfspd ,irg;gq;fspg;G - xh; Ma;T

Ms.Suryakala Chandrika

35 r%f Nehf;fpy; jz;lhAjghzp gps;is kw;Wk jz;lghzp Njrpfhpd; jkpo; gjq;fs; Ms.Kavitha N
36
Fr;rpg;Gb eldj;jpd; tsh;r;rpapy; Ntk;gl;b rpd;d rj;ak; mth;fspd; gq;fspg;G

Ms.Krishnakumari P

37 Nfushtpy; Gfo;ngw;w Nfhapy;fspd; xtpaq;fs xh; Ma;T Ms.Merina Maju
38
.,uhk ehlff; fPh;j;jidfspy; et tpj gf;jpfs

Ms.Krithiha Sivagnanam

39 gujeldj;jpy; cstpaypd; nry;thf;F - xh; Ma;T Ms.Malathy K
40
eldj;jpy; khw;Wj;jpwdhspfspd; gq;F Ms.Merina A
41 fjfspapy; thr;rpf> M`hh;a mgpeak; gw;wpa xh; Ma;T Mr.Soosadima


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Patronage surges for off-campus degree courses in Bharathanatyam

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Study Centres

Centres for Contact Classes and Examinations
Chennai, Bangalore, Thrissur, Thiruvananthapuram, Mumbai and SriLanka

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Contact us

The Director
Distance Education Programme
Kalai Kaviri College of Fine Arts,
18-Benwells Road,
Tiruchirappalli-620 001, India.

Phone : 0091-431-2401010

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